John Herberman for all his hard work behind the scenes and for being such a great mentor Julian Decorte for his expertise and tireless enthusiasm His parents, Shannon and Drew, Alison and Matt, Carolyn, Jennie, the Bailey's Tenor Horn, French Horn – Christine Passmore (heard on 'The Delicious Last Course Release Date Trailer')Ĭornets - Brad Eaton, Michael Fedyshyn, Luise Heyerhoff, Michelle Wylie Tak Arikushi, Roberto Rosenman - Rhythm Guitars Percussion - Kris Maddigan, Daniel Morphy Trumpet – Michael Fedyshyn, Luise Heyerhoff, Rob Weymouth *indicates a member of the string quartetįlute/Alto Flute/Traverso Flute/Piccolo – Laura ChambersĬlarinet – Colleen Cook, Anthony Thompson Guitar - Rob Piltch, Ben Bishop, Chris Bezant Tara Davidson - Soprano Sax, Alto Sax, ClarinetĬonrad Gluch -Bari Sax, Bass Sax, Contrabass Clarinet Rob Piltch - Guitar, Electric Guitar, Lute, Cavaquinhoīaker's Shakers - heard in the right channel on 'Baking the Wondertart' Vern Dorge - Alto Sax, C Melody Sax, ClarinetĬonrad Gluch - Bari Sax, Bass Sax, Alto Sax, Soprano Sax, Tenor Sax Laura Chambers - Alto Flute, Flute, Piccolo Mastering by Peter Letros at Wreckhouse Mastering, Toronto, CanadaĬolleen Allen - Alto Sax, Clarinet, Soprano C Melody SaxĪndy Ballantyne - Alto Sax, C Melody Sax, Clarinet, Soprano Sax, Tenor Sax Mixed by Jeremy Darby at Canterbury Music Company, Toronto, Canada.Īdditional recording done by Bryon Federick at GCR Audio, Buffalo, New York Recorded by Julian Decorte and Jeremy Darby at Canterbury Music Company, Noble Street Studios, and Revolution Recording Studios in Toronto, Canada.Įdited by Julian Decorte and Jeremy Darby at Canterbury Music Company, Toronto, Canada On a similar note, the initial version of "Welcome to My Apocalypse" is mostly an epic Boastful Rap consisting of the Sole Survivor bragging about how they're tearing through the Commonwealth like a hot knife through soft butter with only a few hints towards their Stepford Smiler traits and Dark and Troubled Past.The "Dirty Dish Remix" of the "Cuphead Rap" compared to the original.Music and lyrics written and arranged by Kristofer Maddigan Disappeared Dad: In "Sombra vs Spy", Sombra responds to Spy's maternal insult by revealing that she (somehow) knows the Spy is Scout's long-lost father.A good example of this change in mood can be seen in the different choruses for each song: The original song smugly proclaims "I don't want to set the world on fire! / I just want to start a flame in your heart! / I don't want to set the world on fire! / I only want to tear it apart!" However, the re-imagined version of the song instead somberly states "I don't want to set the world on fire / Just wanna start a flame in your heart / I don't want to set the world on fire / Can't help it if I tear it apart".The re-imagined version of the song is far more overt about the Sole Survvior's inner turmoil and in general has a bleaker tone as the Sole Survivor ruminates over the Crapsack World they've woken up in. Sniper: And mind that little red dot on your forehead. Late-Arrival Spoiler: Kind of a roulette.Not your goggles, love, the one that means you're dead. Some songs (like the Assasin's Creed songs) focus more on impressions and show trailer footage (which may be inaccurate to the final product), whereas others (like the Portal and Link's Awakening songs) give out major plot points or even endings. In "Don't Make 'Em Like They Used to", Reaper challenges Soldier: 76 to a rap battle.To be safe, know the game before you hear the song. "Can't Be Erased" starts with simple and cheery music befitting a cartoon as Bendy sings.The tune that was playing in the background dies down when 76 says he won't perform to "that hip-hop garbage". Lighter and Softer: The Big Band cover of "Can't Be Replaced" keeps to tune upbeat and swinging while keeping the same message as before.Bendy then starts to laugh maniacally as the music becomes slower and more distorted.
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